Jun 30
1,873 notes
soldat
Rudeness is merely the expression of fear. People fear they won’t get what they want. The most dreadful and unattractive person only needs to be loved and they will open up like a flower.
Jun 30
532 notes
Are you okay on, like, life? Yeah. Yeah. I just haven’t eaten. Oh, let me make you something. No, I can’t. I can’t let you do that. What are you talking about? There’s… What-what do you want? An omelet? Yeah, I can make you an omelet. Yeah? Yeah. Go wait in the office. Thank you.
THE BEAR
— 2.09 “Omelette”
Jun 29
66 notes
“Being an actress hasn’t made me insecure. I was insecure long before I declared I was an actress.”
Jun 29
1,262 notes
Jun 29
442 notes
“dear diary, my teen angst bullshit has a body count…”
Jun 29
1,261 notes
Manuscript of Bram Stoker's Dracula playscript (1897)
The script for the theatre version of Dracula is a curious mixture of Bram Stoker’s own handwriting and printed extracts cut and pasted from the novel.
Jun 29
148 notes
Jun 29
219 notes
Women have minds and they have souls as well as just hearts. They’ve got ambition and they’ve got talent as well as just beauty. I am so sick of people saying that love is just all a woman is fit for. I’m so sick of it! But — I am so lonely.
Jun 28
93 notes
Virginia Woolf, from a diary entry featured in “A Writer’s Diary”
Clarice Lispector, from “A Breath of Life”
Patti Smith, from “Devotion”
Elena Ferrante, from “Incidental Inventions”
Marguerite Duras, from “Écrire”
Jane Austen’s writing table at Chawton Cottage, Hampshire
Charlotte Brontë’s writing desk on display at the Bronte Parsonage Museum in Haworth, England
Virginia Woolf’s writing desk in her writing lodge at Monk’s House in Rodmell, Sussex
Reconstruction of Daphne du Maurier’s study at the Smugglers Museum, Jamaica Inn, Cornwall
Jun 28
1,213 notes
The Early Diary of Anaïs Nin, 1914–1920